When crafting Coinbase’s 60-second ad for last month’s Academy Awards, the team behind it looked back. Approximately 26 years back. The ad follows a non-player character (NPC) in a video game world where he realizes he’s a cog in a machine and, ultimately, decides to break out and enter the human world—a retro metaphor for the modern idea of finding financial freedom through cryptocurrency. The spot, created by Coinbase’s in-house creative team and ad agency Isle of Any, used early PlayStation games and The Sims, which was first released in 2000, as its primary reference points, according to Gareth Kay, VP of brand at Coinbase. “The best advertising, I’ve always believed, is all about making people feel something,” Kay told Marketing Brew. “It’s not so much about what the actual words are or the message. It’s giving you that feeling. And it just struck us as a really powerful metaphor for what we were trying to communicate.” Coinbase isn’t the only brand to adopt old-school video game aesthetics in advertising. Protein brand Met-Rx recently tapped John Cena for a 60-second spot that looks like it’s straight out of a ’90s Nintendo game in which the brand’s protein bars are depicted as a way to “level up.” Skittles, meanwhile, adopted a similarly retro look for social spots that promoted a branded video game flute controller that the brand sent to gamers to use while livestreaming. Last fall, Jack in the Box created the video game Deal Quest: Revenge of the Munchies, complete with a pixelated Jack Box mascot, as a way for fans of the brand to get new deals. (The aesthetic choice has even made it to the White House social team, which has used the Wii and a hodgepodge of other video game aesthetics in videos promoting the war in Iran.) Brands borrowing video game aesthetics isn’t a brand-new phenomenon; back in 2006, a Coca-Cola spot imagined a gritty, violent world reminiscent of Grand Theft Auto that transforms into a utopia when the hero drinks a Coke. But the continued growth of the gaming community, the perpetual appeal of nostalgia, and the likelihood that those behind the spots were once (or still are) gamers themselves could be why some brands are adopting the look and feel of vintage video games. “Even if you aren’t active in the gaming world now, chances are you still have nostalgia and love for Nintendo days,” said Brian Culp, group creative director at TBWA\Chiat\Day Chicago, which worked with Skittles on its gaming-flute activation. “It can be a fun new visual storytelling language that is unique.” Continue reading here.—KM |
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